You’re on your couch, half-expecting something to go bad, the person beside you feels the same way, and suddenly there’s a knock on the door — by far the most ordinary thing that occurs on a daily basis. But you’re so sacred that you throw the bowl of popcorn into the air while trying to huddle up into any crevice in the couch or the person beside you. Horror has a way with people, it exercises control over the sense of expectations by presetting the idea that something is set to go wrong. The horror genre today seems to be struggling to find innovative methods to reaffirm that control over expectations, and do something completely novel. The problem, perhaps, is with the audience, which has grown to find everything a cliché, since such a large repertoire of horror flicks is easily accessible over the Internet, and because in our time, the supernatural has lost the tight hold it used to have over the human psyche. Horror movies are released all round the year, and make for one of the best grossing genres. But, today, with the variety of tools at hand, horror is trying to come up with newer experiences — trying to go back to records of old paranormal case files like Conjuring, or trying to work on psychological horrors like Oculus and The Bye Bye Man, and there are the all time hits of the recent past like The Ring, Grudge, with the air of discomfort which the whole film is designed to create, including some great works like The Woman in Black.

Why not go back, and try to understand how horror really was? It was simple, yet would drive you out of a room. Think of a time when people were not aware of any clichés and believed in the supernatural as much as they believed that an apple was on the table. A time when you could see something really disturbing physically take place on the screen, and have no idea whatsoever as to how to comprehend it or respond. Horror, is misconceived as being simply a matter of screams and running away. If you watch the classics, you’d realise that it was all about being disturbed mentally by the music, the oddity of elements that came on the screen, the terrible sympathy felt for the characters caught in the mess, and, most of all, the right amount of light! 

The Exorcist (1973)

William Peter Blatty’s trend setting work; till date people have been trying to get Exorcism films right, it had that impact. Directed by William Friedkin, the film contains the iconic scene of the priest outside the house under the street light, wearing a fedora and a trench coat.

The pair, of a mother and daughter, try to comprehend the anomalies that take place with the little girl. The bed shaking, the abuses she commits to herself and any Christian symbol. This wasn’t simply some flick, it was thoroughly researched and every shot on the screen is physically manifest — except for those eerie moments when the lights go out and a grey, pale face shows up in some corner of the screen.

The film records the terrible ordeal of a priest who tries to save the girl. Full of scenes of gory details, brilliant make up, use of electronic machines for different movements that take place, the entire set up including details like weather and the music, it was a composite whole that could break a person down to the core in fear. All you need is to believe and the movie does the rest.

The Shining (1980)

Based on Stephen King’s book by the same name, this movie is the beginning of horror in the light of psychology. The track, with the constant screech, and the long shots that steadily wait till characters walk across a colossal empty hotel out in the middle of nowhere, while being stuck in a snowstorm, this Stanley Kubrik’s directorial masterpiece.

Among Jack Nicholson’s finest works, and Danny Lyod as the young Danny Torrance, who set up the creepiest notions about having imaginary friends, The Shinning is full of scenes that wrack the brain. The specific shot of the flood of blood gushing through an elevator door opening was one of the most original things attempted in the history of horror films. 

The Thing (1982)

Yet again secluded, a team of scientists, at a laboratory station in the cold arctic region, discover a parasitic organism of another planet which has the unique ability to imitate organic life and then to assimilate it, thereby turning it into ugly hostile organisms, which wish to devour anything that can walk on limbs.

The brilliance of the movie lies the fact that till about the first twenty minutes you can’t even tell that this is going to turn out into something so unexpected and terrifying. The whole plot and horror experience is based on the fear of being cornered by an enemy which can’t easily be caught because it could have infected anyone that was in the team and having no hope whatsoever of making out alive.

By the end, the visceral experience of the organism which is physically present among the actors, and not floating about on just the screen, makes it a great pick for the horror list.

The Poltergeist (1982)

Another one of those horror concept films which became the head of its own series. The movie was written and produced by Steven Spielberg. It revolves around an arrangement which in today’s date has become a cliché: a sweet suburban family and a haunted house. But, it was the first of its kind at the time and if you try to go back to this film its novelty surpasses anything that is done now. It all starts with a child talking with a television.

Before you know it the benign movement of objects turns into a series of forces in the house that try to kidnap the children, and the house begins wreaking irrevocable terrors. It counts for one of the best filmed horror movies along with containing some really horrifying shots.


Leave a Reply

Your email address will not be published. Required fields are marked *